If you’re the editor, every choice you make is key to what the viewer feels. Because SVA Film is intensely collaborative, our editors develop a writer’s understanding of story; a DP’s eye for image, composition and color; and a director’s sense of performance and pacing.
While editing has always been the bottom-line in cinematic storytelling, new technologies have fundamentally changed the way we understand movies. The art of editing is being reshaped to create new and evolving film languages.
Today, the power is in post.
|AHD-1070||Film History and Criticism|
|CFD-1020||Introduction to Production I|
|CFD-1025||Introduction to Production II|
|AHD-1075||Film History: Analysis of Genre|
|CFD-1140||Fundamentals of Narrative I|
|CFD-1145||Fundamentals of Narrative II|
|HCD-1020||Writing and Literature I|
|HCD-1025||Writing and Literature II|
|CFD-2010||Production Workshop I|
|CFD-2015||Production Workshop II|
|or CFD-2017||Documentary Workshop I|
|CFD-2018||Documentary Workshop II|
|CVD-2066||Advanced Final Cut Pro|
|or CVD-2067||Advanced Premiere Pro|
|AHD-2712||The Art of Editing|
|AHD-2068||Language of Film|
|or AHD-2070||International Cinema|