As a student and prior apprentice to editor Walter Murch, I’ve focused my energies on exploring both the invisible and visible cut. While the former requires constructing a continuous and perceptibly seamless scene or experience, the latter draws attention to the presence of the cut for emotional or rhythmic purposes. I am a long-time drummer, so I often infuse rhythmic editing into my work.
I teach editing courses at SVA in Premiere and Avid, and cover a wide-range of material, from the basics of media organization, to the fundamentals of using the software, advanced editing techniques, color correction, sound mixing, sound design, special effects, and key-framing/automation. It is my goal that students not only gain appreciation for the effectiveness of the art of editing, but also learn a wide range of helpful industry-standard tools that will empower them to create their own work.
Northwestern University, Evanston, IL, Bachelor of Science in Communication: Film/TV Major. Graduated 2012.
Editor – Narrative/Documentary Features
Pat Steir – Artist 2018
The Weekend Fix 2017
National Park Diaries 2016
A Space Program 2015
To Be Forever Wild 2014
Loves Her Gun 2013
Boomshaka Ensemble 2012
Roy Lichtenstein 2010
Associate/Assistant Editor – Features
Skin 2018
Sublime Doc 2018
Redoubt (Matthew Barney) 2017
Cracked Up 2017
Queen of Katwe 2016
Newtown 2015
Roger Waters: The Wall 2014
Loblolly House 2010
Shut Up and Sing 2006
Editor – Short Films (Selected)
A Boy a Man and a Kite 2018
Dead of Night 2018
Mansa Musa 2018
Surf 2017
Google Portrait 2016
Mirrors 2016
Labor of Love 2015
Fine – Daphne Guinness 2015
Reflections 2012
Lone Star Best Texas Film Award – Loves Her Gun (2013), Northwestern University Magna Cum Laude (2012), Communication Century Scholar, Production Award (2011), Golden Key Society (2012)
Advanced Premiere Pro