Dr. Amresh Sinha
My approach to pedagogy is mediated through a desire to cultivate and instill in students both a sense of high competence and a sincere pleasure regarding the textual materials we engage together in the classroom.
CONTINUE READING POSTStacy Hope Herman
Stacy helmed multi-episode series and one-offs, across various genres including lifestyle, documentary, docudrama, long and short form scripted and unscripted entertainment by overseeing daily operations of productions for top-tier networks such as Lifetime, A&E, Discovery, National Geographic, Bravo, Fox, TLC, PBS, BBC, USA Networks, VH1, UPN, CBS, NBC, and independent film companies.
CONTINUE READING POSTJeremy Berger
The medium continues to evolve, and the need for powerful, thought-provoking storytelling remains as crucial as ever.
CONTINUE READING POSTIan Holden
As a student and prior apprentice to editor Walter Murch, I’ve focused my energies on exploring both the invisible and visible cut.
CONTINUE READING POSTMiah Artola
Initially a painter, I now incorporate new media into my work, creating audio and motion activated installation combined with fine artworks.
CONTINUE READING POSTJenna Ricker
Originally from California, she moved to New York to study acting at the Tisch School of the Arts.
CONTINUE READING POSTNana Simopoulos
As a society, our attention over the centuries has drifted from our ears which are multidimensional to our eyes which are forward focused.
CONTINUE READING POSTKerry Fulton
Originally from New Zealand, Kerry has lived in the USA this time since 2013.
CONTINUE READING POSTSherese Robinson
Sherese believes everyone deserves to be heard, and her listening is a form of activism.
CONTINUE READING POSTMichael Goldfried
Stories come alive when distinct characters pursue what they want and are forced to make difficult choices.
CONTINUE READING POSTMihaela Mihut
I am originally from Transylvania, Romania where I received my B.A.
CONTINUE READING POSTIgor Sunara
Learning the language of visual art is more than learning the difference between subjective and objective camera angles.
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